Dark Horizons: Science Fiction and the Dystopian Imagination

Raffaella Baccolini & Tom Moylan

First published	2003
Publisher	Routledge
Format	Trade Paperback
Type	Nonfiction
Pages	xi+264
ISBN	0415966140

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Page	Title	Author(s)	Type
	"A useful knowledge of the present is rooted in the past": Memory and Historical Reconciliation in Ursula K. Le Guin's The Telling	Raffaella Baccolini	Essay
	"The moment is here ... and it's important": State, Agency, and Dystopia in Kim Stanley Robinson's Antarctica and Ursula K. Le Guin's The Telling	Tom Moylan	Essay
	Conclusion. Critical Dystopia and Possibilities	Raffaella Baccolini & Tom Moylan	Essay
	Concrete Dystopia: Slavery and Its Others	Maria Varsam	Essay
	Cyberpunk and Dystopia: Pat Cadigan's Networks	David Seed	Essay
	Genre Blending and the Critical Dystopia	Jane Donawe	Essay
	Introduction. Dystopia and Histories	Raffaella Baccolini & Tom Moylan	Essay
	Posthuman Bodies and Agency in Octavia Butler's Xenogenesis	Naomi Jacobs	Essay
	The Problem of the "Flawed Utopia": A Note on the Costs of Eutopia	Lyman Tower Sargent	Essay
	The Writing of Utopia and the Feminist Critical Dystopia: Suzy McKee Charnas's Holdfast Series	Ildney Cavalcanti	Essay
	Theses on Dystopia 2001	Darko Suvin	Essay
	Unmasking the Real? Critique and Utopia in Recent SF Films	Peter Fitting	Essay
	Utopia in Dark Times: Optimism/ Pessimism and Utopia/Dystopia	Ruth Levitas & Lucy Sargisson	Essay
	Where the Prospective Horizon Is Omitted: Naturalism and Dystopia in Fight Club and Ghost Dog	Phillip E. Wegner	Essay