| 1 |
Introduction (Staging the Impossible)
|
Patrick D. Murphy
|
Essay
|
| 15 |
When Formula Seizes Form: Oscar Wilde's Comedies
|
Susan Taylor Jacobs
|
Essay
|
| 30 |
A Task Most Difficult: Staging Yeats's Mystical Dramas at the Abbey
|
Frederick S. Lapisardi
|
Essay
|
| 44 |
The Perilous Edge: Strindberg, Madness, and Other Worlds
|
Peter Malekin
|
Essay
|
| 56 |
Wassily Kandinsky's Stage Composition Yellow Sound: The Fantastic and the Symbolic Mode of Communication
|
Kent W. Hooper
|
Essay
|
| 87 |
Ionesco and L'Insolite
|
Elizabeth C. Hesson
&
Ian M. Hesson
|
Essay
|
| 108 |
Ambiguity and the Supernatural in Cocteau's La machine infernale
|
Ralph Yarrow
|
Essay
|
| 116 |
Beckett and the Horrific
|
Lance Olsen
|
Essay
|
| 127 |
Multiplicities of Illusion in Tom Stoppard's Plays
|
Peter N. Chetta
|
Essay
|
| 137 |
Leivick's the Golem and the Golem Legend
|
Carl Schaffer
|
Essay
|
| 150 |
Dream on Monkey Mountain: Fantasy As Self-Perception
|
Robert J. Willis
|
Essay
|
| 156 |
Spalding Gray's Swimming to Cambodia: A Performance Gesture
|
Jessica Prinz
|
Essay
|
| 169 |
The Shock of the Actual: Disrupting the Theatrical Illusion
|
Theodore Shank
|
Essay
|
| 182 |
Playing at the End of the World: Postmodern Theater
|
Veronica Hollinger
|
Essay
|
| 197 |
"Infinity in a Cigar Box": The Problem of Science Fiction on the Stage
|
Joseph Krupnik
|
Essay
|
