| 1 |
Not So Blind Hope: An Introduction
|
Thomas J. Morrissey
|
Essay
|
| 11 |
Dark Shadows and Bright Lights: Generators and Maintainers of Utopias and Dystopias
|
Roger C. Schlobin
|
Essay
|
| 17 |
Mapping Utopia: Spatial and Temporal Sites of Meaning
|
John C. Hawley
|
Essay
|
| 23 |
We Are Marching to Utopia: Kurt Vonnegut's Player Piano
|
Donald E. Morse
|
Essay
|
| 33 |
David Mamet's The Water Engine: The Utopian Ideal as Social Control
|
Jeanne Beckwith
|
Essay
|
| 43 |
Kim Stanley Robinson's Martian Vision
|
Carl Swidorski
|
Essay
|
| 57 |
Women and Mad Science: Women as Witnesses to the Scientific Re-creation of Humanity
|
Cherilyn Lacy
|
Essay
|
| 67 |
Digital Ambivalence: Utopia, Dystopia, and the Digital Cosmos
|
Dennis M. Weiss
|
Essay
|
| 81 |
Apprehending Identity in the Alldera Novels of Suzy McKee
|
Bill Clemente
|
Essay
|
| 91 |
You Can't Go Home Again: Kirinyaga by Mike Resnick
|
Lynn F. Williams
&
Martha Bartter
|
Essay
|
| 101 |
"Momutes": Momentary Utopias in Tepper's Trilogies
|
Robin Anne Reid
|
Essay
|
| 109 |
Of Dystopias and Icons: Brin's The Postman and Butler's Parable of the Sower
|
Oscar De Los Santos
|
Essay
|
| 123 |
Beyond Personal Introspection: Classroom Response to Sherri Tepper's The Gate to Women's Country
|
Tamara Wilson
|
Essay
|
| 129 |
The Nature of "Outsider Dystopias": Atwood, Starhawk, and Abbey
|
Sharon Stevenson
|
Essay
|
| 137 |
News from Somewhere: A Case for Romance-Tradition Fantasy's Reformist Poetic
|
Kelly Searsmith
|
Essay
|
| 151 |
Index (The Utopian Fantastic)
|
uncredited
|
Essay
|
| 155 |
About the Contributors (The Utopian Fantastic)
|
uncredited
|
Essay
|
