| 585 |
Essay
|
Non Fiction |
Toward a History of Gothic and Modernism: Dark Modernity from Bram Stoker to Samuel Beckett
|
John Paul Riquelme
|
| 609 |
Essay
|
Non Fiction |
Oscar Wilde's Aesthetic Gothic: Walter Pater, Dark Enlightenment, and "The Picture of Dorian Gray"
|
John Paul Riquelme
|
| 632 |
Essay
|
Non Fiction |
"Double Born": Bram Stoker and the Metrocolonial Gothic
|
Joseph Valente
|
| 646 |
Essay
|
Non Fiction |
Oxford's Ghosts: "Jude the Obscure" and the End of the Gothic
|
Patrick R. O'Malley
|
| 675 |
Essay
|
Non Fiction |
Race, Labor, and the Gothic Western: Dispelling Frontier Myths in Dorothy Scarborough's "The Wind"
|
Susan Kollin
|
| 695 |
Essay
|
Non Fiction |
"I'm in the Business Too": Gothic Chivalry, Private Eyes, and Proxy Sex and Violence in Chandler's "The Big Sleep"
|
Charles J. Rzepka
|
| 725 |
Essay
|
Non Fiction |
Parodied to Death: The Postmodern Gothic of "American Psycho"
|
Ruth Helyer
|
| 749 |
Essay
|
Non Fiction |
Reading Rooms: M. R. James and the Library of Modernity
|
Penny Fielding
|
| 772 |
Essay
|
Non Fiction |
"No More Than Ghosts Make": The Hauntology and Gothic Minimalism of Beckett's Late Work
|
Graham Fraser
|
| 789 |
Essay
|
Non Fiction |
The Horror, The Horror: Recent Studies in Gothic Fiction
|
Anne Williams
|
