Weird Tales, Spring 1992
1992
| Editor | Darrell Schweitzer |
|---|---|
| Cover art | Jill Bauman |
| Publisher | Terminus |
| Price | $4.95 |
| Pages | 132 |
Vol. 53 No. 3.
Whole No. 304.
"Alfred Vale: A Cautionary Tale" credited to John Brunner and H*la*re B*ll*c.
The review of Barbara Hambly's novel is listed as "Those Who Haunt the Night".
Whole No. 304.
"Alfred Vale: A Cautionary Tale" credited to John Brunner and H*la*re B*ll*c.
The review of Barbara Hambly's novel is listed as "Those Who Haunt the Night".
| Page | Type | Kind | Title | Author(s) |
|---|---|---|---|---|
| Editor | Non Fiction | Weird Tales - 1992 | Darrell Schweitzer | |
| Cover Art | Non Fiction | Weird Tales, Spring 1992 | Jill Bauman | |
| 3 | Interior Art | Non Fiction | Weird Tales (masthead) | Stephen Fabian |
| 11 | Interior Art | Non Fiction | The Den | Vincent Di Fate |
| 16 | Interior Art | Non Fiction | Who Lies Beneath a Spell | Jill Bauman |
| 27 | Interior Art | Non Fiction | Who Lies Beneath a Spell [2] | Jill Bauman |
| 33 | Interior Art | Non Fiction | Concerning the Forthcoming Inexpensive Paperback Translation of the Necronomicon of Abdul Alhazred | Jill Bauman |
| 37 | Interior Art | Non Fiction | Concerning the Forthcoming Inexpensive Paperback Translation of the Necronomicon of Abdul Alhazred [2] | Jill Bauman |
| 45 | Interior Art | Non Fiction | Concerning the Forthcoming Inexpensive Paperback Translation of the Necronomicon of Abdul Alhazred [3] | Jill Bauman |
| 56 | Interior Art | Non Fiction | Welcomeland | Jill Bauman |
| 67 | Interior Art | Non Fiction | The Lily Garden | Jill Bauman |
| 75 | Interior Art | Non Fiction | Little Boy Black and Blue | Jill Bauman |
| 91 | Interior Art | Non Fiction | Up to No Good | Jill Bauman |
| 103 | Interior Art | Non Fiction | The Classic Horrors: Black Destroyer | Allen Koszowski |
| 104 | Interior Art | Non Fiction | Hunting the Lion | Jill Bauman |
| 109 | Interior Art | Non Fiction | Hunting the Lion [2] | Jill Bauman |
| 116 | Interior Art | Non Fiction | Hunting the Lion [3] | Jill Bauman |