|
Essay
|
Non Fiction |
Blood Spectrum: Film Reviews (Black Static, March-April 2019) |
Gary Couzens
|
|
Essay
|
Non Fiction |
Both Eyes Blinking Back |
Ralph Robert Moore
|
|
Review
|
Non Fiction |
How Can I Get in Touch with Persia? |
David Surface
&
Janet Frame
|
|
Short Fiction
|
Fiction |
In a Dry Season |
David Martin
|
|
Short Fiction
|
Fiction |
Roiling and Without Form |
Kay Chronister
|
|
Short Fiction
|
Fiction |
The Beast in the Palace |
Tom Johnstone
|
|
Review
|
Non Fiction |
The Devil Aspect |
Daniel Carpenter
&
Craig Russell (Scottish)
|
|
Review
|
Non Fiction |
The Monsters are Due in Madison Square Garden |
Laura Mauro
&
Tom Johnstone
|
|
Review
|
Non Fiction |
The Pale Ones |
Philip Fracassi
&
Bartholomew Bennett
|
|
Short Fiction
|
Fiction |
The Stop-Tap |
Tim Lees
|
|
Review
|
Non Fiction |
The Suicide Machine |
Andrew Hook
&
Douglas Thompson
|
|
Review
|
Non Fiction |
The Water Cure |
Georgina Bruce
&
Sophie Mackintosh
|
|
Review
|
Non Fiction |
The Worst is Yet to Come |
Mike O'Driscoll
&
S. P. Miskowski
|
|
Short Fiction
|
Fiction |
Totenhaus |
Amanda J. Bermudez
|
|
Short Fiction
|
Fiction |
Unchain the Beast |
Stephen Volk
|
|
Essay
|
Non Fiction |
Why Horror? |
Lynda E. Rucker
|