| 3 |
"Oh God, Here Come the Elves!"
|
Jane Yolen
|
Essay
|
| 15 |
Fantasy and the Narrative Transaction
|
Brian Attebery
|
Essay
|
| 29 |
Specular SF: Postmodern Allegory
|
Veronica Hollinger
|
Essay
|
| 41 |
Knowing About Knowing: Paradigms of Knowledge in the Postmodern Fantastic
|
Peter Malekin
|
Essay
|
| 49 |
Im/maculate: Some Instances of Gnostic Science Fiction
|
Reinhold Kramer
|
Essay
|
| 59 |
The Reproduction of the Body in Space
|
Élisabeth Vonarburg
|
Essay
|
| 75 |
M.G. Lewis and Later Gothic Fiction: The Numinous Dissipated
|
Robert F. Geary
|
Essay
|
| 83 |
The Taming of the Screw: Rohmer's Filming of Kleist's "Die Marquise Von O ..."
|
Mary Rhiel
|
Essay
|
| 91 |
Alain Robbe-Grillet and the Fantastic
|
Tony Chadwick
&
Virginia Harger-Grinling
|
Essay
|
| 97 |
Caricature, Parody, Satire: Narrative Masks As Subversion of the Picaro in Patrick Süskind's Perfume
|
Edith Borchardt
|
Essay
|
| 107 |
Reality, Fiction, and Wu in the Man in the High Castle
|
Jianjiong Zhu
|
Essay
|
| 115 |
Zelazny's Black: The Sidekick As Second Self
|
Carl B. Yoke
|
Essay
|
| 121 |
Suicide, Murder, Culture, and Catastrophe: Joanna Russ's We Who Are About to ...
|
Patrick D. Murphy
|
Essay
|
| 133 |
Getting a Kick Out of Chaos: "Fortunate Failure" in Greg Bear's Future Histories
|
Len Hatfield
|
Essay
|
| 141 |
Out of Blue Water: Dream Flight and Narrative Construction in the Novels of Toni Morrison
|
Grace A. Epstein
|
Essay
|
| 149 |
Dominance and Subversion: The Horizontal Sublime and Erotic Empowerment in the Works of Kathy Acker
|
Greg Lewis Peters
|
Essay
|
| 159 |
The Dawn Patrol: Sex, Technology, and Irony in Farmer and Ballard
|
Gary K. Wolfe
|
Essay
|
| 169 |
The Making of Frankenstein's Monster: Post-Golem, Pre-Robot
|
Norma Rowen
|
Essay
|
| 179 |
Westworld, Futureworld, and the World's Obscenity
|
J. P. Telotte
|
Essay
|
| 189 |
The Animal at the Door: Modern Works of Horror and the Natural Animal
|
Marian Scholtmeijer
|
Essay
|
| xiii |
Introduction: Learning to Resist the Wolf
|
Nicholas Ruddick
|
Essay
|
